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Thursday, December 12, 2013
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It’s no secret that many viewers were getting tired of the blue bubble background in TechCrunch TV videos (it had a good run, but after nearly three years, we were too.) So over the Thanksgiving holiday, the TechCrunch TV team picked up some hammers, saws, and glue guns and gave our humble studio a DIY fashion makeover.


Our main goal was to update our sets to be a little more clean and modern. We also wanted to give each show a unique style and look so that loyal viewers can instantly see the difference between an episode of Ask A VC and an episode of Keen On.


This TCTV team project reminded us that we still have some scrappy startup in us. As videographers, it’s not often we find ourselves covered in painted or drilling through brick. Turns out that we had to do things the wrong way a few times before we got it right. Admittedly, our new studio sets are by no means perfect, but we’re happy with the results overall. We still have some design, camera, and lighting tweaks to finish.


TechCrunch TV episodes shot on their new sets will start rolling out over the next few weeks. Until then, here’s a few pictures of what those might look like.


Crunchweek

Crunchweek



Keen On...

Keen On…



Founder Stories

Founder Stories



Ask A VC

Ask A VC








5:54 PM

It’s no secret that many viewers were getting tired of the blue bubble background in TechCrunch TV videos (it had a good run, but after nea...

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Lifestyle Ellipitcal 2

Treadmills. They’re just so monotonous, no?


It’s a challenge to keep your mind off exhaustion or muscle fatigue, so many gym users turn to TV shows or books to distract themselves. But even that may not be enough to make exercise less of a chore for regular folk.


So Charles and Kai Huang, who are behind Guitar Hero, got the band back together and started Blue Goji. Today they’re launching Goji Play, which is a set of exercise equipment-friendly game controllers that lets you play games while on a treadmill or a bike.


“One of the things we learned back in our days working on Guitar Hero was really how great games can immerse people and inspire them,” Huang said. “And that’s not only have to fun but also to get more active. We really are all about active gaming and so after we moved on from Activision, we started to have this interest in health, fitness and wellness.”


The idea and the video below may look pretty goofy at first glance. But if you think about it or actually use the product, Goji Play ends up being a decent mental distraction.


“Most people think of workout equipment as boring and monotonous,” Huang said. “You’re basically staring at a wall for 30 to 60 minutes. So we really wanted to change that experience and make it more fun using our expertise in making great games.”


Huang is taking the same hardware-meets-software approach with this bootstrapped company. For $99 a set, there are two wireless game controllers, each with Velcro straps to attach them to a whole range of exercise equipment from treadmills, stationary bicycles and elliptical machines (see below).


Goji Play Hardware


A third piece is an activity tracker to see how quickly you’re moving, which gives more power to your characters inside games.


What you’ll need is an iPad, iPod Touch or an iPhone.


On those devices, you can access Goji Play’s library of games, which are takes on classic genres like boxing, through the Goji Play app. While you’re running on a treadmill, you can hold the two controllers and speed a ball down a runway or knock out a boxing rival (see below).


The apps aren’t limited to gaming either. There’s a Goji Reader app, which makes it easy to scroll through content and news using the game controllers. (That’s so you don’t have to constantly swipe an iPad or hold a book open while reading.)


Fisticuffs


Each unit handles multiple players, so one set works for an entire family complete with their own fitness goals, favorite games, social profiles, and more.


The company is retailing the product to consumers now on their own homepage and on Amazon, but they have some unannounced retail partnerships and it’s possible that they could work with gym chains as well.


Goji Play is bootstrapped with six people in the Bay Area and six in Austin.







5:40 PM

Treadmills. They’re just so monotonous, no? It’s a challenge to keep your mind off exhaustion or muscle fatigue, so many gym users turn to T...

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Microsoft today announced – and then removed – the date and location of its next BUILD developer conference, which will again take place in San Francisco, on April 2nd, 2014. Tickets will go on sale on January 14th of that year.


Both Neowin and The Verge were able to secure screenshots of the post, indicating the location and time of the event before it was taken down.


That Microsoft is hosting the event in San Francisco for the second time running is no accident. Though I have repeatedly asked the company to return to this city, I doubt that my requests and constant jokes concerning mud, a certain tent, and an awkward visit to Microsoft’s campus mattered either. Instead, I think that the use of San Francisco as the location of its developer event for the second time in a row simply underscores that Microsoft understands that it has lost an entire demographic of developers, and that to win them back it has to play in their backyard.


Also it’s just reasonable to host your developer event where your competitors do: Apple and Google don’t host I/O and WWDC in this city for no particular reason.


Last year BUILD, like the other two conferences, sold out, though Microsoft later released another tranche of tickets. I heard rumors that they had expected to sell slightly more before doors opened, all told. Whatever the case, the event went well.


Microsoft, working to unify its various platforms under a pat Windows aegis, has to better convince developers that its platform is worth building for. So, back to San Francisco it comes.







4:39 PM

Microsoft today announced – and then removed – the date and location of its next BUILD developer conference, which will again take place in ...

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gmail logo

A recent change to the way that Gmail display images will have an affect on marketers, but it won’t be as dramatic as others have suggested, according to a Google spokesperson.


The company announced earlier today that when Gmail users open an email with images, they’ll no longer have to click the “display images below” button to actually see the pictures. Instead, those images will just load automatically.


Seems like a nice-but-minor improvement, right? Maybe for consumers, but not for marketers, according Ars Technica. The issue is that (as Google notes in its blog post) the pictures are now loading from Google’s servers rather than the senders’. Ars writes:



E-mail marketers will no longer be able to get any information from images — they will see a single request from Google, which will then be used to send the image out to all Gmail users. Unless you click on a link, marketers will have no idea the e-mail has been seen. While this means improved privacy from e-mail marketers, Google will now be digging deeper than ever into your e-mails and literally modifying the contents.



But a Google spokesperson I emailed said that’s not entirely correct. (The spokesperson declined to be quoted.) Instead, they said marketers who track open rates through images will still be able to do so — indeed, they suggested that the data might be more accurate now since open rates will count users who read the emails but don’t load the images. What won’t get tracked, however, is other user data like users’ IP address. So this seems to do more to protect privacy without leaving marketers totally in the dark.


Email marketing company MailChimp suggests something similar in its blog post on the subject:



Using cached images is a fine idea for Gmail, but it has the potential to mess with open tracking for ESPs. Fortunately, MailChimp can still detect the first request for the open-tracking pixel. This won’t interfere with the count of “unique opens” you get in your reports, but it could prevent us from seeing multiple opens per subscriber. …


In Gmail’s announcement today, they said image caching allows them to securely turn on images by default. Image caching still lowers our ability to track repeat opens, but turning those images on means we’ll be more accurate when tracking unique opens. At least, theoretically it should work that way.








3:38 PM

A recent change to the way that Gmail display images will have an affect on marketers, but it won’t be as dramatic as others have suggested,...

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Instagram has dipped its toes into private-photo and video messaging waters. Instagram Direct allows the community's more than 150 million monthly active users to send photos and videos within a group. The process of sending a private message works just like posting a photo or video publicly: Take a new photo or upload an existing one, slap on a filter and effects, and add a caption and tags. Instead of sharing the photo on your public profile, however, you can tap the Direct option at the top of the screen, and share it with up to 15 contacts.


1:55 PM

Instagram has dipped its toes into private-photo and video messaging waters. Instagram Direct allows the community's more than 150 mil...

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people plus

Following a legal dispute with Pro Populi, the company behind startup database People+, CrunchBase is announcing new terms of service. CrunchBase data will now be available through a Creative Commons Attribution-NonCommercial 4.0 license.


CrunchBase President Matt Kaufman also told me, “People+ has agreed to operate under our revised Terms of Service,” which presumably ends the legal fight.


(Conflict of interest alert: As the names imply, CrunchBase and TechCrunch have always had close ties, and we’re part of the same team at AOL.)


The dispute arose when CrunchBase tried to stop the startup from using its data, suggesting that People+ was just creating a copycat competitor. The position taken by People+, and then by the Electronic Frontier Foundation, was that CrunchBase had the right to decide who accesses its data through its API, but People+ had the right to continue using the data it had already collected, because it was licensed under Creative Commons.


Put another way: The CrunchBase team ended up looking like it didn’t really understand how Creative Commons worked, or at least what the vast majority of online commentary suggested.


But like I said, it seems like the legal situation is resolved, and the new terms will hopefully prevent similar conflicts in the future. As I understand it, the big change is that the data is is only available under Creative Commons for non-commercial use. If the use is commercial, you’ll need to get a license from CrunchBase.


This is how Kaufman explained the change in an email:



Our position is that the old terms made that clear, but EFF and People+ argued that you cannot leverage Creative Commons while attaching additional terms (found in the TOS and license) to Creative Commons. It’s a “spirit” vs. “letter of the law” debate with no resolution. The new terms make our position unambiguous.



Meanwhile, People+ co-founder and director of product Kate Scisel told me:



We have been overwhelmed and thankful for the support of EFF and the tech community particularly Hacker News and some of the original team who created CrunchBase. We are thrilled with the outcome and are looking forward to continue growing our product and the company far beyond this controversy.








1:08 PM

Following a legal dispute with Pro Populi , the company behind startup database People+ , CrunchBase is announcing new terms of service. Cr...

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Aereo

Aereo, a TV streaming service backed by media mogul Barry Diller, is in the middle of a fierce legal battle. The company uses remote, miniature antennas to pull free OTA signals from broadcast networks like Fox, ABC, NBC and 27 others, delivering the stations to customer’s connected devices for $8 per month.


Not surprisingly, broadcasters and media executives are not pleased with the company’s methods and have tied the company up in legal battles. In New York, major broadcasters like ABC, NBC, Fox and others have taken their case to the Supreme Court, and have asked the court to appeal decisions made by the lower circuits, which ruled in Aereo’s favor.


Today, however, Aereo has filed a response with the court, agreeing with the opposition’s petition for the Supreme Court to hear the case. After winning twice in preliminary injunction proceedings in New York, why would Aereo want the Supreme Court to hear the case yet again?


The company released this statement today:


“We have decided to not oppose the broadcasters’ petition for certiorari before the United States Supreme Court. While the law is clear and the Second Circuit Court of Appeals and two different federal courts have ruled in favor of Aereo, broadcasters appear determined to keep litigating the same issues against Aereo in every jurisdiction that we enter. We want this resolved on the merits rather than through a wasteful war of attrition.


“The long-standing landmark Second Circuit decision in Cablevision has served as a crucial underpinning to the cloud computing and cloud storage industry. The broadcasters’ filing makes clear that they are using Aereo as a proxy to attack Cablevision itself.


“Aereo provides to consumers antenna and DVR technology. With Aereo, a consumer tunes an individual, remotely located antenna and makes personal recordings on a cloud DVR. The Aereo technology is functionally equivalent to a home antenna and DVR, but it is an innovation that provides convenience and ease to the consumer. The plaintiffs are trying to deny consumers the ability to use a more modern antenna and DVR by trying to prevent a consumer’s access to these technologies via the cloud.


“Consumers have the right to use an antenna to access the over-the-air television. It is a right that should be protected and preserved and in fact, has been protected for generations by Congress. Eliminating a consumer’s right to take advantage of innovation with respect to antenna technology would disenfranchise millions of Americans in cities and rural towns across the country.


“We are unwavering in our belief that Aereo’s technology falls squarely within the law and we look forward to continuing to delight our customers.”


As it turns out, the anti-Aereo crowd is having a tough time winning in court. First, Aereo was hit with two separate lawsuits from major broadcasters like PBS, Univision, Fox, NBC, and ABC in the Southern District Court of New York. The judge denied their motion for a preliminary injunction against Aereo. When the same networks brought that decision to an appeals court, they refused to reconsider the decision.


Then, Hearst (an ABC affiliate) filed a similar lawsuit in Boston after the company rolled out service in that market. The court did not grant Hearst a preliminary injunction, nor did it grant Aereo’s request to move the lawsuit to the New York courts, where Aereo had already received a favorable ruling. And in what is becoming an obvious pattern, Fox Broadcasting Co. filed a lawsuit against Aereo in Utah just after the service landed there.


Aereo was built with a specific ruling in mind, a precedent set by Cablevision. In a case a few years ago, a similar question was brought up by broadcasters who weren’t fond of Cablevision’s remote DVR service, which stored recorded and on-demand content in the cloud rather than on the customers’ box set.


The court eventually sided with Cablevision, which has been a determining factor in Aereo’s current legal battle.


With this latest filing in the Supreme Court, the broadcasters are trying to have the Cablevision precedent overturned. So again, why would Aereo agree to have this case heard on a federal level?


Well, it all comes down to one billionaire. Heir to the Coca-Cola Hellenic shipping and bottling company, Alki David is a media entertainment mogul who owns companies such as Channel 3 Dish Networks in California and Nevada, Channel 8 Los Angeles, and KILM Channel 64 Los Angeles. He also happens to be the founder of a company called FilmOn, previously named AereoKiller.


FilmOn claims to offer Aereo-like technology, though that has yet to be confirmed or clarified by anyone. Still, the broadcast networks are equally displeased with the streaming TV company’s existence and have filed lawsuits against FilmOn in California and Washington D.C.


In the California case, the networks didn’t investigate into FilmOn technology beyond what David had claimed, which was that his technology was “Aereo-like.” A decision is currently pending on that case in the ninth circuit.


In the conspiracy theory version of this story, Alki David is secretly working with the networks to purposefully lose lawsuits and be deemed illegal by markets who have historically been strict on copyright issues. That way, Aereo (which is on the record as being similar to FilmOn) would be banned in those markets.


In the non-paranoid version, Alki David is simply a competitor who is throwing stones in the road before Aereo.


Either way, David’s FilmOn has left Aereo no choice but to go federal. With a win in the Supreme Court, lawsuits against FilmOn or any other “Aereo-like” technology will be irrelevant as Aereo will be deemed nationally legal.


Aereo had plans to expand to 22 new markets by the end of 2013, and has only made it into nine of them. But with all the legal fuss, the delay makes sense. Perhaps with a win in the Supreme Court, 2014 will be a smoother year for the disruptive TV startup.







12:39 PM

Aereo, a TV streaming service backed by media mogul Barry Diller, is in the middle of a fierce legal battle. The company uses remote, miniat...

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